November 19, 2024
Pasadena, CA – Pasadena Symphony’s annual Holiday Candlelight concert returns to All Saints Church with a newly-added third performance on Friday, December 13 at 7:00pm in addition to Saturday, December 14 performances at 4:00pm & 7:00pm. The Friday concert will meet the overwhelming community demand for this cherished holiday tradition, having sold out each year for the past decade. The architecturally exquisite and acoustically sonorous All Saints Church provides the perfect setting to hear your holiday favorites – all performed by candlelight.
Newly-appointed Music Director Brett Mitchell will take the podium to lead an array of ensembles including the Los Angeles Children’s Chorus, the Donald Brinegar Singers & JPL Chorus and the LA Bronze Handbell Ensemble, set against the backdrop of the Pasadena Symphony. Special guest Lisa Vroman will accompany the orchestra as vocalist. Regarded as a “musical and theatrical marvel” by the San Francisco Chronicle, Vroman has countless Broadway credits under her belt, most notably starring for over eight years on Broadway, in San Francisco, and in Los Angeles as Christine Daaé in The Phantom of the Opera.
The program has something for everyone, from traditional holiday classics to popular standards. Hear The First Noel, I Saw Three Ships, Have Yourself a Merry Little Christmas, Santa Claus is Coming to Town, Hallelujah! and many more favorites. Top off your holiday season with lasting memories for the whole family and enjoy a well-deserved break from the hustle and bustle of the season.
Fully-reserved seating is available to purchase throughout All Saints’ glorious interior, specially fitted with festive floral and decorations, all under the glow of candlelight. Tickets to Holiday Candlelight with the Pasadena Symphony are limited and will sell out. Tickets start at $30 and may be purchased either at pasadenasymphony-pops.org or by calling the box office at (626) 793-7172.
- What: Holiday Candlelight with the Pasadena Symphony
Brett Mitchell, conductor
Lisa Vroman, vocalist
Los Angeles Children’s Chorus
Donald Brinegar Singers & JPL Chorus
LA Bronze Handbell Ensemble - When: Friday, December 13 at 7:00pm and Saturday, December 14 at 4:00pm and 7:00pm
- Where: All Saints Church | 132 N Euclid Ave, Pasadena, CA 91101
- Cost: Tickets $30.00 – $165.00
- Parking: Parking is available at All Saint’s Church in advance for $20 or onsite for $25. Other nearby parking structures include 330 E Union, or metered parking is available on Euclid and nearby streets. Visit pasadenasymphony-pops.org/plan-your-visit/all-saints-church/#parking for more info.
Brett Mitchell
Conductor
Hailed for presenting engaging, in-depth explorations of thoughtfully curated programs, American conductor Brett Mitchell is in consistent demand on the podium at home and abroad. In March 2024, he was named Music Director of the Pasadena Symphony, beginning an initial five-year term with the 2024-25 season. He has also served as Artistic Director & Conductor of Oregon’s Sunriver Music Festival since 2022.
Working widely as a guest conductor, Mr. Mitchell’s recent engagements have included appearances with the Dallas, Detroit, Edmonton, Fort Worth, Houston, Indianapolis, Milwaukee, National, North Carolina, Oregon, San Antonio, San Francisco, and Vancouver symphonies; the Los Angeles Philharmonic at the Hollywood Bowl; the Cleveland and Minnesota orchestras; the Rochester Philharmonic Orchestra; the Saint Paul Chamber Orchestra; the Grant Park Festival Orchestra; and a two-week tour with the New Zealand Symphony Orchestra. Mr. Mitchell also regularly collaborates with the world’s leading soloists, including Yo-Yo Ma, Renée Fleming, Itzhak Perlman, Kirill Gerstein, Conrad Tao, Rudolf Buchbinder, James Ehnes, Augustin Hadelich, Leila Josefowicz, and Alisa Weilerstein.
From 2017 to 2021, Mr. Mitchell served as Music Director of the Colorado Symphony in Denver; he previously served as Music Director Designate during the 2016-17 season. During his five-season tenure, he is credited with deepening the orchestra’s engagement with its audience via in-depth demonstrations from both the podium and the piano. He also expanded the orchestra’s commitment to contemporary American repertoire—with a particular focus on the music of Mason Bates, Missy Mazzoli, and Kevin Puts—through world premieres, recording projects, and commissions. In addition, Mr. Mitchell spearheaded collaborations with such local partners as Colorado Ballet, Denver Young Artists Orchestra, and El Sistema Colorado. In summarizing his tenure, The Denver Post wrote that “Mitchell has been a bright and engaging presence over the years, delving into the history of certain well-worn pieces while leading expert renditions of them.”
From 2013 to 2017, Mr. Mitchell served on the conducting staff of The Cleveland Orchestra. He joined the orchestra as Assistant Conductor in 2013, and was promoted to Associate Conductor in 2015, becoming the first person to hold that title in over three decades and only the fifth in the orchestra’s hundred-year history. In these roles, he led the orchestra in several dozen concerts each season at Severance Hall, Blossom Music Center, and on tour.
From 2007 to 2011, Mr. Mitchell led over one hundred performances as Assistant Conductor of the Houston Symphony. He also held Assistant Conductor posts with the Orchestre National de France, where he worked under Kurt Masur from 2006 to 2009, and the Castleton Festival, where he worked under Lorin Maazel in 2009 and 2010. In 2015, Mr. Mitchell completed a highly successful five-year appointment as Music Director of the Saginaw Bay Symphony Orchestra, where an increased focus on locally relevant programming and community collaborations resulted in record attendance throughout his tenure.
As an opera conductor, Mr. Mitchell has served as music director of nearly a dozen productions, principally at his former post as Music Director of the Moores Opera Center in Houston, where he led eight productions from 2010 to 2013. His repertoire spans the core works of Mozart (The Marriage of Figaro and The Magic Flute), Verdi (Rigoletto and Falstaff), and Stravinsky (The Rake’s Progress) to contemporary works by Mark Adamo (Little Women), Robert Aldridge (Elmer Gantry), Daniel Catán (Il Postino and Salsipuedes), and Daron Hagen (Amelia). As a ballet conductor, Mr. Mitchell most recently led a production of The Nutcracker with the Pennsylvania Ballet in collaboration with The Cleveland Orchestra during the 2016-17 season.
In addition to his work with professional orchestras, Mr. Mitchell is also well known for his affinity for working with and mentoring young musicians aspiring to be professional orchestral players. His tenure as Music Director of the Cleveland Orchestra Youth Orchestra from 2013 to 2017 was highly praised, and included a four-city tour of China in June 2015, marking the orchestra’s second international tour and its first to Asia. Mr. Mitchell is regularly invited to work with the talented young musicians at this country’s high-level training programs, such as the Cleveland Institute of Music, the National Repertory Orchestra, Texas Music Festival, Sarasota Music Festival, and Interlochen Center for the Arts. He has also served on the faculties of the schools of music at Northern Illinois University (2005-07), the University of Houston (2012-13), and the University of Denver (2019, 2022-23).
Born in Seattle in 1979, Mr. Mitchell holds degrees in conducting from the University of Texas at Austin and composition from Western Washington University, which selected him as its Young Alumnus of the Year in 2014. He also studied with Leonard Slatkin at the National Conducting Institute, and was selected by Kurt Masur as a recipient of the inaugural American Friends of the Mendelssohn Foundation Scholarship in 2008. Mr. Mitchell was also one of five recipients of the League of American Orchestras’ American Conducting Fellowship from 2007 to 2010.
Lisa Vroman
Vocalist
From Broadway to Classics, on stage and in concert, Lisa Vroman has established herself as one of America’s most versatile voices. She has been regarded as a “musical and theatrical marvel” by the San Francisco Chronicle, as well as “one of American Musical Theater’s most beautiful voices” by acclaimed Broadway producer Sir Cameron Mackintosh.
Lisa starred for over 8 years on Broadway, in San Francisco, and in Los Angeles as Christine Daaé in The Phantom of the Opera. Ms. Vroman starred as Rosabella in The Most Happy Fella, making her New York City Opera debut with Paul Sorvino playing the title role. She starred as Lili Vanessi in Kiss Me Kate with both Glimmerglass Opera and the MUNY Theater of St. Louis, Anna Leonowens in The King and I with Lyric Opera of Virginia, and played Marian Paroo in The Music Man with Shirley Jones (Mrs. Paroo) and Patrick Cassidy (Harold Hill) at The Bushnell Theatre in Hartford CT. Lisa sang the role of Birdie in Regina with Utah Opera, conducted by Keith Lockhart; made her New Jersey Opera debut as Rosalinde in Die Fledermaus (directed by Ira Siff); and premiered and recorded two Comic Operas by composers John Musto (Bastianello) and William Bolcom (Lucrezia) with the New York Festival of Song.
Her Broadway debut was in Aspects of Love, and she was the first to play both Fantine and Cosette in Les Misérables. For PBS she was featured with Colm Wilkinson and Michael Ball in Cameron Mackintosh’s Hey, Mr. Producer! at a Royal Gala at the Lyceum Theatre in London. She sang the role of Johanna in the San Francisco Symphony’s Emmy Award winning PBS production of Sweeney Todd in Concert, with Patti Lupone and George Hearn. Both are available on DVD. Lisa starred as Laurey in Oklahoma, filmed live in concert for the BBC Proms Festival at Royal Albert Hall in London, played Mary Turner in Gershwin’s Of Thee I Sing/Let ’em Eat Cake in concert with Michael Tilson Thomas conducting the San Francisco Symphony and Chorus, and played Lucy Brown in Threepenny Opera at the American Conservatory Theatre in San Francisco with Bebe Neuwirth, Nancy Dussault, and Anika Noni Rose. Other roles have included Laurie in The Tender Land; Maria in The Sound Of Music; Josephine in HMS Pinafore, Yum-Yum in The Mikado; and Anna 1 in The Seven Deadly Sins. She has sung “Maria” in West Side Story, Guenevere in Camelot, Carrie Pipperidge in Carousel, Eliza Doolittle in My Fair Lady, and Amalia Balash in She Loves Me, as well as many other well-known musical roles.
Lisa is a George London Competition Grant recipient and a 1999 Minerva Award recipient from the State University of New York at Potsdam. She received an Undergraduate degree in Music Education from the Crane School of Music, SUNY Potsdam, a Masters degree in Fine Arts, Opera Performance from Carnegie Mellon University in Pittsburgh, and was recently awarded an honorary Doctor of Music from SUNY Potsdam. Ms. Vroman has become an active mentor and sought-after clinician with many colleges and universities across the country and around the world. She has acted as a judge in both the Lotte Lenya Competition for the Kurt Weill Foundation and UCLA’s Walter Jurmann Competition. She has recently joined the teaching faculty of the Institute for American Musical Theatre in New York.
With a repertoire that ranges from Stravinsky to Weill to Broadway, Lisa is a frequent guest soloist with theater and opera companies, and orchestras including San Francisco, Philadelphia, Chicago, Atlanta, the National, Malaysia, Seattle, Hong Kong, Cleveland, Nashville, Pacific, Utah, Dallas, the Boston Pops with Keith Lockhart, the New York Pops at Carnegie Hall, and the Philly Pops with Peter Nero. She made her debut at The Hollywood Bowl in Disney’s 75th celebration, singing and dancing with legend Dick Van Dyke in a medley from Mary Poppins. Lisa has sung in concert with composer Stephen Schwartz, organist David Higgs, and the Empire Brass Quintet. Her solo CD, Broadway Classic, features Metropolitan Opera mezzo-soprano Stephanie Blythe and 47 of San Francisco’s finest orchestral players. Lisa had the honor of singing at the Profiles in Courage Award dinner in Boston at the JFK Library, as a guest of the Kennedy family. She has also sung on separate occasions for Queen Elizabeth, former presidents Gerald Ford, George H.W. Bush, and Bill Clinton, former Vice President Al Gore, and the Library of Congress.
Recent performances have included An Evening of Rodgers & Hammerstein with the Hong Kong Philharmonic, concert performances of Cole Porter’s 1928 La Revue Des Ambassadeurs with l’Opéra de Rennes in France, a multi-city concert tour in China, and playing the role of Maria Callas in Terrence McNally’s award winning play, Master Class.
Lisa lives in Pasadena, CA with husband Patrick O’Neil and their beautiful dog Barber.
Los Angeles Children’s Chorus
GRAMMY Award-winning Los Angeles Children’s Chorus (LACC), one of the world’s preeminent youth choruses, has been lauded as “hauntingly beautiful” (Los Angeles Times), “the best children’s chorus I have ever heard” (Esa-Pekka Salonen), and “one of the true artistic gems of Los Angeles” (Gustavo Dudamel).
Founded in 1986 and led now by Artistic Director Fernando Malvar-Ruiz, LACC annually appears in more than 50 public performances, including in its own self-produced concerts and in collaborations with leading organizations such as LA Opera, Los Angeles Philharmonic, Los Angeles Master Chorale, Los Angeles Chamber Orchestra, and Pasadena Symphony and POPS.
The Chorus annually serves over 425 children ages 6–18 from 40+ communities across Southern California through its seven choirs, First Experiences in Singing class, and First Experiences in Choral Singing ensemble.
The Chorus is featured in alumna Billie Eilish’s 2021 cinematic concert experience Happier Than Ever: A Love Letter To Los Angeles on Disney+, and has appeared on John Williams’ 2017 recording, John Williams & Steven Spielberg: The Ultimate Collection, and the Los Angeles Master Chorale’s critically-acclaimed Decca recording, A Good Understanding. The subject of four documentaries by Academy Award®-winning filmmaker Freida Mock, LACC is featured in the Academy Award®-nominated Sing!, about a year in the life of the choir. LACC has performed with John Mayer on NBC’s The Tonight Show and been featured on PBS’s Great Performances, BBC Radio, and PRI’s nationally-syndicated show From the Top.
Winner of the 2022 GRAMMY Award for Best Choral Performance for its performance on the LA Philharmonic’s 2021 album, Mahler Symphony No. 8, and recipient of Chorus America’s Margaret Hillis Award for Choral Excellence, LACC frequently serves as a cultural ambassador for Los Angeles on tours that have taken the Chorus to 20+ countries on 6 continents. For more information, please visit www.lachildrenschorus.org.
Donald Brinegar Singers & JPL Chrous
Donald Brinegar is a conductor, tenor soloist, voice instructor, educator and master class clinician. Professor Emeritus of Music at Pasadena City College, Brinegar directed the Choral Studies program at PCC for 36 years. Brinegar also conducts the Donald Brinegar Singers, a community choral ensemble in Pasadena, California, Director of Choruses for the Pasadena Symphony and POPS. During the summers he co-directs the Cal State Los Angeles masters program in choral conducting. He has an extensive background as a performer both as a soloist and a conductor having performed throughout the United States, Japan, Europe, Australia, New Zealand, Mexico, and Canada. Brinegar has performed as a featured soloist with Robert Shaw, Helmuth Rilling, Roger Wagner, Gerard Swartz, Murray Sidlin, Howard Swan, Charles Hirt, Rod Eichenberger, William Hall, Marvin Hamlisch, Michael Feinstein, and with numerous music festivals, orchestras and opera associations. He has collaborated artistically with Henry Mancini, Barry Manilow, The Los Angeles Philharmonic, John Delancie, and the Chieftains. His choirs have given five performances for the American Choral Directors Association Conferences, California Music Educators (MENC), Choral Conductors Guild, and have performed in Carnegie Hall, the Los Angeles Music Center, and the Hollywood Bowl.
The Donald Brinegar Singers, choral ensemble, was founded in the Fall of 1997 as an ensemble of former students and colleagues of Professor Brinegar. Their first concert was given in November of 1997. Their second performance was the premiere of Lauridsen’s organ edition of Lux Aeterna, accompanied by organist James Buonemani. The ensemble presented music of the holiday season and was then invited to perform at The ACDA Western Division Convention in Los Angeles, 2000. Shortly following the convention appearance, the Singers recorded Ubi caritas et amor and Madrigali Six FireSongs: for Lauridsen’s compact disc, Northwest Journey. The Singers performed the Chansons des Roses with Lauridsen accompanying at the San Antonio, Texas, ACDA National Conference. The Singers followed with two more performances of Lauridsen’s music in Las Vegas, 2004 ACDA Western Division Conference, and the premiere of Nocturnes (The Brock Memorial Convention Commission) 2005, Los Angeles ACDA National Convention.
The Singers are the resident chorus for the Pasadena Symphony and POPS, having sung for David Lockington, Grant Cooper, Marvin Hamlisch, Larry Blank, and Michael Feinstein. In 2015, the ensemble performed the orchestrated version of Lauridsen’s Mid- Winter Songs along with the Nocturnes (Lauridsen accompanying) with the symphony. The ensemble has also performed at the Dorothy Chandler Pavilion, Walt Disney Concert Hall, the Hollywood Bowl, the Los Angeles Arboretum, and for Brinegar’s publisher, Santa Barbara Music Publishing, Santa Barbara. The Singers have given premiere performances of the music of Bruce Babcock, David Childs, Emma Lou Diemer, Morten Lauridsen, Z. Randall Stroope, and Eric Whitacre, among many others. The Singers recorded the background score for the film, The Bridge to Terrabithia, music by Aaron Zigman. They are the featured ensemble in an Irish Folk Song Collection, Letters from Ireland by Mark Brymer.
Pasadena is a city rich with the arts and sciences, which gives way for the Jet Propulsion Laboratory Chorus to blend perfectly. Formed early in 2012 in a partnership between the Pasadena Symphony Association and the Jet Propulsion Laboratory, the JPL Chorus is comprised of JPL employees who rehearse weekly under the direction of (Donald Brinegar), the Pasadena Symphony’s Director of Choruses. The JPL Chorus is comprised of 53 employees who rehearse each Wednesday evening. Their concert program includes a mixture of classical repertoire to popular, with composers ranging from Benjamin Britten and John Lennon/Paul McCartney.
The singers come from a wide variety of roles within JPL, including scientists, engineers, administrators, software, business people, and more. “The idea is to celebrate JPL with our group’s enthusiasm about music and singing. It’s been a lot of fun, and I think what Don brings to this particularly is a great sense of joy in the experience,” stated Stephen Kulczycki, Deputy Director of Communication and Education at JPL (and a member of the bass section.)
LA Bronze Handbell Ensemble
Under the artistic direction of Alex Guebert, LA Bronze is an auditioned handbell concert choir creating performances of the highest caliber for the community. Their music making is exciting and uplifting, and audiences around Southern California have praised their concerts. The group is comprised of accomplished handbell musicians who are seeking challenging opportunities for making music, while providing educational opportunities for the handbell community. Our members come from all over the L.A. basin and include musicians, educators, administrators and other professionals.
Formed in 1928, the Pasadena Symphony and POPS is an ensemble of Hollywood’s most talented, sought-after musicians. With extensive credits in film, television, recording and the orchestral industry, the artists of the Pasadena Symphony and POPS are some of the most heard in the world.
Brett Mitchell assumes the post of Pasadena Symphony Music Director on April 1, 2024. Michael Feinstein – the multi-platinum-selling, two-time Emmy and five-time Grammy Award-nominated entertainer dubbed “The Ambassador of the Great American Songbook” – leads the POPS as Principal Pops Conductor, succeeding Marvin Hamlisch. The Pasadena Symphony and POPS performs in two of the most extraordinary venues in the United States: Ambassador Auditorium, known as the Carnegie Hall of the West, and the Los Angeles Arboretum & Botanic Garden.
A hallmark of its robust education programs, the Pasadena Symphony Association has served the youth of the region for over five decades through the Pasadena Youth Symphony Orchestras (PYSO). PYSO offers supplemental in-class instruction within the Pasadena Unified School District and eleven performance ensembles, serving over 700 4th-12th grade students from all over Southern California. The PYSO has performed at venues across the globe as well as on the television show GLEE.
The Pasadena Symphony Association provides people from all walks of life with powerful access points to the world of symphonic music. www.pasadenasymphony-pops.org