Pasadena, CA – The Pasadena Symphony continues its Singpoli Classics Series with Tchaikovsky’s Violin Concerto for a powerful and romantic Valentine’s program on Saturday, February 13 at Ambassador Auditorium. Music Director David Lockington returns to the podium for the Symphony’s ode to romance, which pairs Sibelius’ Symphony No. 2 with Tchaikovsky’s Violin Concerto. One of the most-loved violin concertos ever written, Tchaikovsky composed his masterpiece during an emotionally turbulent time while on respite on the shores of Lake Geneva. There’s no better way to spend Valentine’s Day than with the most famous love letter ever penned to music.
Two-time Grammy nominee and Avery Fisher career grant recipient Jennifer Frautschi will join the orchestra to perform Tchaikovsky’s Violin Concerto, thought by many to be the most technically difficult work for the violin. You won’t want to miss Frautschi’s breathtaking performance, which the Washington Post has described as “commanding, incisive and absolutely riveting.” An alumna of the Pasadena Youth Symphony Orchestra program, Frautschi returns to her roots for this exclusive Southern California engagement.
Make it a night to remember and treat your Valentine to a one-of-a-kind occasion with dinner in the luxurious Sierra Auto Symphony Lounge, yet another addition to the delightful and elegant concert experience the Pasadena Symphony offers. A posh setting at Ambassador Auditorium’s beautiful outdoor plaza, the Lounge will offer a specialized Valentine’s menu by Claud & Co for both lunch and dinner, a full bar and fine wines by Michero Family Wine Estates, plus music before the concert and during intermission.
Performances on February 13, 2016 take place at both 2:00pm and 8:00pm and are accompanied by pre-concert discussions with David Lockington one hour before curtain. The Ambassador Auditorium is located at 131 South St. John Avenue, Pasadena, CA. Ticket prices start at $35 and may be purchased online at www.pasadenasymphony-pops.org or by calling (626) 793-7172.
IF YOU GO:
- What: The Pasadena Symphony presents Tchaikovsky Violin Concerto.
- When: Saturday, February 13 at 2:00 p.m. and 8:00 p.m.
- Where: Ambassador Auditorium | 131 South St. John Avenue, Pasadena, CA 91105
- Cost: Tickets start at $35.00
- Parking: Valet parking is available on South St. John Avenue for $15. General parking is available in two locations: next to the Auditorium (entrance on St. John Ave) at the covered parking structure for $10 and directly across Green Street at the Wells Fargo parking structure at 350 W Colorado Blvd (entrance on Terrace at Green St). ADA parking is located at the above-ground parking lot adjacent to the Auditorium (entrance on St. John Ave.) for $10. Parking purchased onsite is cash only.
- Sierra Auto Symphony Lounge: Located on the plaza at Ambassador Auditorium. Opens at 12:30 pm before the matinee and 6:00pm before the evening performance.
- Pre-Concert Discussion: Pre-concert discussions with Music Director David Lockington begins one hour before curtain and is available to all ticket holders at no cost.
ABOUT THE ARTISTS
David Lockington, Music Director
Over the past thirty-five years, David Lockington has developed an impressive conducting career in the United States. A native of Great Britain, he served as the Music Director of the Grand Rapids Symphony from January 1999 to May 2015, and is currently the orchestra’s Conductor Laureate. He has held the position of Music Director with the Modesto Symphony since May 2007 and in March 2013, Mr. Lockington was appointed to the same position with the Pasadena Symphony. He also has a close relationship with the Orquesta Sinfonica del Principado de Asturias in Spain where he is currently the orchestra’s Principal Guest Conductor, and beginning with the 15/16 season he will be one of three Artistic Partners with the Northwest Sinfonietta in Tacoma, Washington.
In addition to his current posts, since his arrival to the United States in 1978 Mr. Lockington has also held additional positions with American orchestras, including serving as Assistant Conductor of the Denver Symphony Orchestra and Opera Colorado and Assistant and Associate Conductor of the Baltimore Symphony Orchestra. In May 1993 he accepted the position of Music Director of the Ohio Chamber Orchestra, assumed the title of Music Director of the New Mexico Symphony Orchestra in September 1995 and was Music Director of the Long Island Philharmonic for the 96/97 through 99/2000 seasons.
Mr. Lockington’s guest conducting engagements include appearances with the Saint Louis, Houston, Detroit, Seattle, Toronto, Vancouver, Oregon and Phoenix symphonies; the Rochester and Louisiana Philharmonics; and the Orchestra of St. Luke’s at Carnegie Hall. Internationally, he has conducted the Northern Sinfonia in Great Britain, the Israel Chamber Orchestra, the China Broadcasting Symphony Orchestra in Beijing and Taiwan and led the English Chamber Orchestra on a tour in Asia.
Recent and upcoming guest conducting engagements include appearances with the New Jersey, Indianapolis, Vancouver, Utah, Pacific, Colorado, Nashville, San Diego, Syracuse, Edmonton, Alabama, Columbus and Kansas City symphonies, the Florida and Louisville Orchestras, the National Arts Centre Orchestra in Ottawa and the Buffalo and Calgary Philharmonics. Mr. Lockington’s summer festival activities include appearances at the Grand Teton, Colorado Music, Interlochen, Chautauqua and Eastern Music festivals.
David Lockington began his career as a cellist and was the Principal with the National Youth Orchestra of Great Britain for two years. After completing his Bachelor of Arts degree at the University of Cambridge, Mr. Lockington came to the United States on a scholarship to Yale University where he received his Master’s degree in cello performance and studied conducting with Otto Werner Mueller. He was a member of the New Haven Symphony Orchestra and served as assistant principal cellist for three years with the Denver Symphony Orchestra before turning to conducting.
JENNIFER FRAUTSCHI, Violin
Two-time GRAMMY nominee and Avery Fisher career grant recipient Jennifer Frautschi has garnered worldwide acclaim as an adventurous musician with a remarkably wide-ranging repertoire. As the Chicago Tribune noted, “violinist Jennifer Frautschi is molding a career with smart interpretations of both warhorses and rarities.” Equally at home in the classic and contemporary repertoire, her recent seasons have featured innumerable performances and recordings of works ranging from Brahms and Schumann to Berg and Schoenberg. She has also had the privilege of premiering several new works composed for her by prominent composers of today.
Ms. Frautschi has appeared as soloist with Pierre Boulez and the Los Angeles Philharmonic, Christoph Eschenbach and the Chicago Symphony Orchestra at the Ravinia Festival, and at Wigmore Hall and Lincoln Center’s Mostly Mozart Festival. Selected by Carnegie Hall for its Distinctive Debuts series, she made her New York recital debut in 2004. As part of the European Concert Hall Organization’s Rising Stars series, Ms. Frautschi also made debuts that year at ten of Europe’s most celebrated concert venues, including the Salzburg Mozarteum, Vienna Konzerthaus, Amsterdam Concertgebouw, La Cité de la Musique in Paris, and Brussels’ Théâtre Royal de la Monnaie. She has also been heard in recital at the Ravinia Festival, La Jolla Chamber Music Society, Washington’s Phillips Collection, Boston’s Gardner Museum, Beijing’s Imperial Garden, Monnaie Opera in Brussels, La Chaux des Fonds in Switzerland, and San Miguel de Allende Festival in Mexico.
Ms. Frautschi’s 2015-16 season features performances with the Boston Philharmonic, New Jersey Symphony, Norwalk and Valdosta Symphonies; re-engagements with the Austin, Boise, Pasadena, Pensacola, and Toledo Symphonies; and chamber music appearances at the Library of Congress and Duke University. In recent summers she has performed at the Ojai, La Jolla, Santa Fe, Moab, Bridgehampton, and SaltBay Music Festivals. Highlights of recent seasons include the world premiere of James Stephenson’s Violin Concerto, a piece written for her, with the Minnesota Orchestra and Osmo Vänskä; Barber Concerto with the orchestra of the Teatro di San Carlo Opera House in Naples, James Conlon conducting; and performances with the St. Paul Chamber Orchestra, Buffalo Philharmonic, the Eugene, Jacksonville, Milwaukee, Tucson, and Utah Symphonies, as well as return engagements with the Rhode Island Philharmonic and the Alabama, Arkansas, Belo Horizonte (Brazil), Chattanooga, Portland, and Phoenix Symphonies.
Ms. Frautschi performs regularly at the Caramoor Center for the Arts, where she has appeared annually since she was first invited by André Previn to play there as a “Rising Star” at the age of 18, during her freshman year at Harvard. As a chamber artist she has appeared at the Boston Chamber Music Society and Lincoln Center Chamber Music Society; Chamber Music Northwest, Charlottesville, La Jolla Summerfest, La Musica (Sarasota), Moab, [email protected], Newport, Santa Fe, Seattle, and Spoleto USA Chamber Music Festivals; and at New York’s Metropolitan and Guggenheim Museums of Art, the 92nd Street Y, Philadelphia Chamber Music Society and Mainly Mozart in San Diego. Internationally, she has performed at the Cartagena International Music Festival in Columbia, the Spoleto Festival of the Two Worlds and Rome Chamber Music Festival in Italy, Pharo’s Trust in Cyprus, Kutna Hora Festival in the Czech Republic, St. Barth’s Music Festival in the French West Indies, and toured England with musicians from Prussia Cove, culminating in a concert in London’s Wigmore Hall. She has premiered important new works by Barbara White, Mason Bates, Oliver Knussen, Krzysztof Penderecki, Michael Hersch, and others, and has appeared at New York’s George Crumb Festival and Stefan Wolpe Centenary Concerts.
Her extensive discography includes several discs for Naxos: the Stravinsky Violin Concerto with the Philharmonia Orchestra of London, conducted by the legendary Robert Craft, and two GRAMMY-nominated recordings with the Fred Sherry Quartet, of Schoenberg’s Concerto for String Quartet and Orchestra [nominated for ‘Best Instrumental Soloist Performance (with Orchestra)’ in 2006] and the Schoenberg Third String Quartet [nominated for ‘Best Chamber Music Performance’ in 2011]. Her most recent releases are with pianist John Blacklow on Albany Records: the first devoted to the three sonatas of Robert Schumann, including the rarely performed posthumous sonata (released in 2014); the second, American Duos, an exploration of recent additions to the violin and piano repertoire by contemporary American composers Barbara White, Steven Mackey, Elena Ruehr, Dan Coleman, and Stephen Hartke (released in 2015). She also recorded three widely-praised CDs for Artek: an orchestral recording of the Prokofiev concerti with Gerard Schwarz and the Seattle Symphony; the violin music of Ravel and Stravinsky; and 20th century works for solo violin. Other recent recordings include a disc of Romantic Horn Trios, with hornist Eric Ruske and pianist Stephen Prutsman, and the Stravinsky Duo Concertant with pianist Jeremy Denk.
Born in Pasadena, California, Ms. Frautschi began the violin at age three. She was a student of Robert Lipsett at the Colburn School for the Performing Arts in Los Angeles. She also attended Harvard, the New England Conservatory of Music, and The Juilliard School, where she studied with Robert Mann. She currently teaches violin in the graduate program at Stony Brook University. She performs on a 1722 Antonio Stradivarius violin known as the “ex-Cadiz,” on generous loan to her from a private American foundation.